“Good People is a grandiose and brilliant novel. Baram is the most talented young author in Israel today.”
(Deutschlandradio Kultur)
Read More...(Deutschlandradio Kultur)
Read More...Interview with Nir Baram – Cicero Magazine – 2014.
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A portrait by Peter Münch – Süddeutsche Zeitung
“We need to open ourselves to Palestinians.”
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(Frankfurter Allgemeine Zeitung.)
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A conversation Between Nir Baram and Richard c. Schneider
(ARD TV)
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(Formiche.net)
Read More...(Gli Amanti dei Libri)
Read More...(Haaretz, Friday, 30.7.2010)
Read More...With this brilliant novel, undoubtedly the novel of the year, Nir Baram took upon Himself almost an impossible mission: and proved once again that he can do it.
(Yuval Avivi, “Israel ha’yom”)
Read More...Nir Baram dares to step where none of the third generation writers dared to go. Rich epos, brave, rebellious, innovative.
“Good People” is a unique novel that comes along only once in a while. The novels’ magnitude is similar to that of Céline’s “Journey to the End of Night”. Like Céline’s unique novel which takes place during WWI and fearlessly portrays the social and economic processes that enabled and expedited the rise of fascism in Europe – Baram places a fierce mirror in front of all the “good people”, meaning all of us. “Good People” has qualities of a literary work that embodies the “zeitgeist” – spirit of an era. The novel is an immense literary creation which honors literature, the society in which it was created, and the author who wrote it.
(Ruven Miran, Haaretz literary section)
Read More...A rich, adventurous and moving epos. An Israeli classic in the making.
“Good people” depicts accurately and with great talent and vast historical research the roll of regular people, “Fine People”, who served the Nazi regime but did not see themselves as supporters of the Nazi ideology. In particularly the novel describes the roll of those well educated senior officials who served the Nazi regime and advanced its plans while claiming they are defending the honor of Germany.
(Moshe Zimmermann, Professor of German History. Head of The Richard Koebner Minerva Center for German History)
Read More...The novel is written with great talent, momentum and ingenuity while in its core lays vast curiosity, which is first and for most a moral curiosity. This book expands the borders of young literature and opens new landscapes for it. Thomas and Alexandra are depicted as complex characters; each one has contradictions and depth.
(Amos Oz)
Read More...‘Good People‘ sets a new standard to the literature of us all. It is a bold and brilliant novel that walks the path of greatness to the edge of the literary abyss and still manages to render the ambitions and pretensions that were invested in it by its young author. This is a novel that defines a way for Israeli literature to further expand its world view and dare to deal with human and historical matters that are not necessarily connected to our own personal adversities.
(A. B. Yehoshua)
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There is a dual reality that is portrayed eloquently in the novel Good Pepole – Soviet Russia on the one hand and Nazi Germany on the other. The writing aspires to deal with great events and succeeds in fulfilling its expectations completely and with amazing talent. There’s something grandiose about this novel, it’s a sort of architectural structure that is monumental in my eyes.
The story begins with the Night of Broken Glass (Kristallnacht) which took place in Germany and proceeds in describing the life under Stalin’s horror regime, and so continues to alternate between Germany and Russia, until it reaches the crucial meeting between the German hero and the Russian heroin that takes place on the eve of the Nazi invasion to Russia. There are many accurate and sharp observations regarding power mechanisms and regimes along with a sober look on people – “good people”, which generate horrors.
(Nili Mirski, Haaretz)
Read More...(Frankfurter Allgemeine Zeitung)
Read More...(Yossi Sucary, Haaretz)
Read More...(Maya Sella, Yediot Acharonot)
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